无形的城市？(展览开幕)
[ 2005-10-26 04:24:24 | 作者Author: OUNING ]
无形的城市？
展览开幕式：
2005年10月29日，星期六， 4 – 6：30 p.m.
场地：
0工场，798 工厂， 大山子艺术区，酒仙桥路4号，朝阳区，北京
展览时间：
2005年10月30日至11月12日
星期二至星期日，10 a.m. – 6 p.m.
所有参展的艺术家将出席开幕式。
届时将发放本次展览的画册。
我们衷心邀请您出席《无形的城市？》展览开幕式。本展览将展出十二位最近四个月在中国的首都生活和工作的德国和中国艺术家的新作品。无论最终作品还是未完成的作品都将在本次活动中力图展示这些“流浪”艺术家对这个超大城市在高速变化过程中的印象和个人经历。
正如《北京现场》策展人杨森所说：
这些作品中，有的体现着对现代北京生活迅速变化的非常个人化的、几近亲密性的关注，例如，何燕茜从她离开多年的出生院落入手制作的人性化的声像作品-“异托邦＂[Heterotopia]；马英力的纪录片描述了退休者从市中心到城郊的搬迁经历。
动作设计者霍曼丽通过对人们活动动作的分析原汁原味地再现了城市中生气勃勃的日常生活画面；还有巴翰林在她的装置作品中展示了那些突出体现地方特殊性的特定场所，让人们意识到新型的物我关系。西川通过类似的观察调查了宗教场所，在这里人们用不同的方式讲述了自己的生活境遇。符号决定着存在。德嘉丽和雷望东在北京120天的生活中收集了容易被人们误解的“日常生活神秘事物” - 另一种形式的文化冲击-在一个特制的功能性空间装置里展出了一系列的日常物品照片。在都市生活中也真正存在着社会边缘区域，比如北京市中心的贫民区，曹斐和欧宁的“大栅栏项目”就展示了这样的城区生活。白铎用文化大革命的宣传图片和汉字雕塑般呈现出的交通线路，更加抽象但一眼就能看明白的。同样通俗易懂的还有倪睿思用文字记录的、具有启发性的与那些以不同形式关注北京都市生活的人物的访谈；还有苏珊娜颇具讥讽意味的虚构的北京环城游记，也邀读者同行。
《北京现场》是由德国文化基金会发起，和歌德学院北京分院联合举办的艺术奖学金项目。
获取相关详细信息，请与《北京现场》项目办事处联系：+ 86 （0）6590 1976/-7/-8
或请访问我们的网站：www.beijingcase.org
INFORMAL CITY?
Opening Reception:
Saturday October 29th 2005, 4 – 6:30 p.m.
Venue:
Zero Field Experimental Art Center, Factory 798 Dashanzi Art District, No. 4 Jiu Xianqiao Road, Chaoyang District, Beijing
Exhibition:
October 30th – November 12th 2005
Tue – Sun, 10 a.m. - 6 p.m.
The artists will attend the opening ceremony.
A fully illustrated catalogue will accompany the exhibition.
We cordially invite you to attend the opening reception of “Informal City?” – featuring new artworks by twelve German and Chinese artists who lived and worked in the Chinese capital for the last four months. This exhibition seeks to present final results as well as work in progress reflecting the impressions and personal experiences of “migrant” artists in the high-speed transformation of this megacity.
As “Beijing Case” curator Gregor Jansen stated:
There are very private, almost intimate references to the rush of change in modern Beijing’s daily lives, as with Echo YinSin Ho, who acoustically and visually recorded a personal heterotopy, starting with the now-deserted house where she was born, or in Ma Yingli’s documentary film, where pensioners describe their move to the suburbs. Mara Kurotschka as a choreographer mirrors the living image of the mundane in her analyses of movements in the city in a wonderfully unpretentious way, and Heike Baranowsky found places where local characteristics came into a specific focus, showing new relationships through her view of them as collages.
Xi Chuan’s look at places of religious worship allows similar meditations, with people expressing their life descriptions differently. Symbols determine Being. Christine de la Garenne and Via Lewandowsky collected misunderstandings and mistakes in the reading of “everyday myths” during their 120 Beijing days- a different culture shock picture book in an artificially functionalized spatial installation. But there are also real, negative margins of urban life such as slums right downtown, shown by Cao Fei and Ou Ning in their “Dazhalan Project”. In a more abstract, but immediately accessible way, Thomas Bayrle turns roadways with Cultural Revolution propaganda photos and Chinese characters into sculpture. Equally legible, due to their use of the written word, are Ingo Niermann’s insightful interviews with people of most varying relationships to Beijing city life, as is Susanne Röckel in her partly satirical, fictional city perambulations on which she takes her readers along.
“Beijing Case” is an artist fellowship program initiated by the German Federal Cultural Foundation in cooperation with the Goethe-Institut Peking.
For further information please contact:
“Beijing Case” project office @ + 86 (0) 10 6590 1976/-7/-8
or visit our updated website: www.beijingcase.org
展览开幕式：
2005年10月29日，星期六， 4 – 6：30 p.m.
场地：
0工场，798 工厂， 大山子艺术区，酒仙桥路4号，朝阳区，北京
展览时间：
2005年10月30日至11月12日
星期二至星期日，10 a.m. – 6 p.m.
所有参展的艺术家将出席开幕式。
届时将发放本次展览的画册。
我们衷心邀请您出席《无形的城市？》展览开幕式。本展览将展出十二位最近四个月在中国的首都生活和工作的德国和中国艺术家的新作品。无论最终作品还是未完成的作品都将在本次活动中力图展示这些“流浪”艺术家对这个超大城市在高速变化过程中的印象和个人经历。
正如《北京现场》策展人杨森所说：
这些作品中，有的体现着对现代北京生活迅速变化的非常个人化的、几近亲密性的关注，例如，何燕茜从她离开多年的出生院落入手制作的人性化的声像作品-“异托邦＂[Heterotopia]；马英力的纪录片描述了退休者从市中心到城郊的搬迁经历。
动作设计者霍曼丽通过对人们活动动作的分析原汁原味地再现了城市中生气勃勃的日常生活画面；还有巴翰林在她的装置作品中展示了那些突出体现地方特殊性的特定场所，让人们意识到新型的物我关系。西川通过类似的观察调查了宗教场所，在这里人们用不同的方式讲述了自己的生活境遇。符号决定着存在。德嘉丽和雷望东在北京120天的生活中收集了容易被人们误解的“日常生活神秘事物” - 另一种形式的文化冲击-在一个特制的功能性空间装置里展出了一系列的日常物品照片。在都市生活中也真正存在着社会边缘区域，比如北京市中心的贫民区，曹斐和欧宁的“大栅栏项目”就展示了这样的城区生活。白铎用文化大革命的宣传图片和汉字雕塑般呈现出的交通线路，更加抽象但一眼就能看明白的。同样通俗易懂的还有倪睿思用文字记录的、具有启发性的与那些以不同形式关注北京都市生活的人物的访谈；还有苏珊娜颇具讥讽意味的虚构的北京环城游记，也邀读者同行。
《北京现场》是由德国文化基金会发起，和歌德学院北京分院联合举办的艺术奖学金项目。
获取相关详细信息，请与《北京现场》项目办事处联系：+ 86 （0）6590 1976/-7/-8
或请访问我们的网站：www.beijingcase.org
INFORMAL CITY?
Opening Reception:
Saturday October 29th 2005, 4 – 6:30 p.m.
Venue:
Zero Field Experimental Art Center, Factory 798 Dashanzi Art District, No. 4 Jiu Xianqiao Road, Chaoyang District, Beijing
Exhibition:
October 30th – November 12th 2005
Tue – Sun, 10 a.m. - 6 p.m.
The artists will attend the opening ceremony.
A fully illustrated catalogue will accompany the exhibition.
We cordially invite you to attend the opening reception of “Informal City?” – featuring new artworks by twelve German and Chinese artists who lived and worked in the Chinese capital for the last four months. This exhibition seeks to present final results as well as work in progress reflecting the impressions and personal experiences of “migrant” artists in the high-speed transformation of this megacity.
As “Beijing Case” curator Gregor Jansen stated:
There are very private, almost intimate references to the rush of change in modern Beijing’s daily lives, as with Echo YinSin Ho, who acoustically and visually recorded a personal heterotopy, starting with the now-deserted house where she was born, or in Ma Yingli’s documentary film, where pensioners describe their move to the suburbs. Mara Kurotschka as a choreographer mirrors the living image of the mundane in her analyses of movements in the city in a wonderfully unpretentious way, and Heike Baranowsky found places where local characteristics came into a specific focus, showing new relationships through her view of them as collages.
Xi Chuan’s look at places of religious worship allows similar meditations, with people expressing their life descriptions differently. Symbols determine Being. Christine de la Garenne and Via Lewandowsky collected misunderstandings and mistakes in the reading of “everyday myths” during their 120 Beijing days- a different culture shock picture book in an artificially functionalized spatial installation. But there are also real, negative margins of urban life such as slums right downtown, shown by Cao Fei and Ou Ning in their “Dazhalan Project”. In a more abstract, but immediately accessible way, Thomas Bayrle turns roadways with Cultural Revolution propaganda photos and Chinese characters into sculpture. Equally legible, due to their use of the written word, are Ingo Niermann’s insightful interviews with people of most varying relationships to Beijing city life, as is Susanne Röckel in her partly satirical, fictional city perambulations on which she takes her readers along.
“Beijing Case” is an artist fellowship program initiated by the German Federal Cultural Foundation in cooperation with the Goethe-Institut Peking.
For further information please contact:
“Beijing Case” project office @ + 86 (0) 10 6590 1976/-7/-8
or visit our updated website: www.beijingcase.org
[最后修改由 OUNING, 于 2005-10-26 04:29:34]
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